These new features, among many others, help make Sonicfire Pro 6 the most effective soundtrack creation product ever built.” “And a new Cut-Picture-To-Music feature allows video editors to work with a wide variety of edit options in their NLE that will work with SmartSound tracks. “Sonicfire Pro 6’s track customization options, including advanced Mood Mapping and Variation selection, are supported by automated mix or version capabilities,” continued Mr. A powerful new Sound Engine makes track selection and timeline activity faster and more responsive than ever before while a newly updated Timing Control technology lets you easily move individual track beats much more accurately to match your video -a first in the video editing industry. Its sleek new user interface puts your favorite tools and options all at your fingertips. “Sonicfire Pro 6 is nothing less than a revolution in soundtrack creation technology,” said Kevin Klingler, president and CEO of SmartSound Software, Inc. Seamlessly integrated with SmartSound’s extensive Royalty-Free Music Library, Sonicfire Pro 6 brings powerful new technologies to the selection, customization and integration of music tracks for video production. The Scoring Edition is where you can get more creative and adds all of the timing controls, mood mapping, spotting tools, and hit files functionality that give this collection of music libraries it's great potential for creativity! This version is what I'll be referring to from here on out in this review, but remember that anything I mention doing in Express Track can be done with both versions.SmartSound®Software, Inc., the leader in fully-customizable royalty-free music and soundtrack creation technology, today announced Sonicfire®Pro 6 -a software revolution in soundtrack creation technology. Express Track Edition is included free with the purchase of any SmartSound music library and offers the basic feature set for searching themes, customizing their length, and inserting them into your project. With this release, SmartSound is serving up their software in two flavors. The Express Track (previously dubbed Maestro) functionality offers users powerful search tools, the chance to preview themes and insert them into your SFP5 timeline, plus the ability to preview themes played simultaneously with any audio already present in your video file. The intuitive editing tools allow you to easily customize the music in a myriad of ways (more on this below). But first, for those of us way too lazy to look up the other review, an overview: SFP5 is basically a host software application that pulls together all of the musical themes from any SmartSound libraries you have installed, plus themes you don't yet own (users can preview and purchase them from within SFP5 via an internet connection), and puts them into a familiar multitrack-style GUI (Graphic User Interface) with a video track. Here I'm going to focus on the newer features found in SmartSound's latest version of their host application used for customizing their tracks, Sonicfire Pro 5. If you want to learn more about the base features found in SFP4, please see the aforementioned review. Upgrading from version 4.x is free and is a no-brainer. SFP5's project window is where everything comes together, with music tracks, key frame programming for changing the mood of a theme, information about specific audio clips that are used within a theme, and video preview. Don't get me wrong, I still added my own flavor by editing the heck out of it, adding my own tracks, etc. maybe I should try that.Īs of the time of this writing, I've used Sonicfire Pro for a handful of lower budget projects that needed music fast, and in one case even used it as the basis for a jingle composition project. You know, I've heard words taste better with salt. Enter Sonicfire Pro 4 (you can check out our review here) - a collection of music libraries that is highly customizable, musical, searchable, and just plain easy to use. I had been pretty much adamantly opposed to ever using a music library myself for a long time. Somehow a guitar played on a synthesizer just doesn't cut it, in my opinion. Also, quite frankly, most of them don't sound very good. I tend to dislike most music libraries because, in my opinion, they severely reduce the level of creativity involved in producing the sonic landscape of a production. My natural bent is toward creating music from scratch. Okay, before I begin, let's get one thing straight: I'm a composer.
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